They come in pencil, they come in ink

Feedback received about the first tetrahedron indicated an entropic, debilitating nonsense of time. What I had thought of as an evening had been read as weeks. Wanting for a sense of surrounding was also a comment. A tighter context overall.

My first hypothesis was to make a clear fulcrum action-event to link the actions of four different characters. In considering the characters as character spheres, or specifically as psychological masses given shape and form, we expect more information on a person-representing shape than a single tetrahedron can provide, formal limitations be damned. Fair enough...

Pictures of the completed form are coming soon. For now I'm looking to return to the realm of flat illustration. Are you familiar with Kepler's 2nd Law?

Scenario: Without Call

Scenes:
Fitness testing in the Gym (Anthony, Ozzie, Vedrana, Jackie)
Experiment (Anthony, Ozzie, Vedrana, Jackie)
Hall of Generation (Anthony, Alison, )
Auctioning (Jackie, Representatives, Scientists, Anthony)
Ant exploring/writing (Anthony,)
the freight ship (Anthony, Alison)
Firing Range (Anthony, Jackie, Alison, Ozzie)

4 Planes [Data] - events, actions, space-time perspectives,
4 Vertexes [Psychologically weighted objects] - characters, actors, personae, objects
6 Edges [Values] - reciprocal bonds, integrity, currents, frequencies, polarities

Microcosms may be expanded upon inspection of vertexes.

Groundfloor - First Impressions

- Spacial recognition draws attention to proximal face, thereby, character sphere, identity, and authorial conception.

- Natural application to handle/rotate in order to 'upright' faces. Psychological mirroring in affect.

Consider the interrelationship of data between parallel planes above. Are the three generalities (Charity, Obligation, Transformation) radiant from the character spheres they are written on? With a consciousness of the sphere/identity we're holding closer to us, could these generalities be evidential ideas the sphere/identity is gravitated toward? People are responsive to various aspects of personalities.

We can be both focal and omnidirectional in addressing people, such as the difference between nouns/people/ideas that pass through conversation and a concentrated analysis. Hence, I am reading into this object. If I were to read away from it, it would be in more general terms.

- The event to be described with the inner tetrahedron is pointedly framed by these four conceptions.

- Inner tetrahedron vertexes are fixed at the center point of the outer tetrahedrons. The character spheres' conceptual/actual centers are spacially synonymous with the inner sphere's structural points. Because they are filled with conceptual nothingness, there is no integral quality to where within the vertexes exist. Correlations may be drawn later about departures from equiangular construction as sophistication of dialog is required.

I like this project...

One more before the Road

This one didn't require much clean up. I like its flow.

Hopefully I'll be screen printing tomorrow. For the weekend there'll be photos of the montage-trading-card project and a brief explanation. 

A Protagonist is fine too

These are a couple images of my main protagonist. I'm not going to elaborate about details like name, background, or conflict yet. I will say that these images are from three very separate chronological points. I will upload more as I scan and clean them up. 

Mission of Purpose

I intend to use this blog to share progress on my day to day project primarily entitled 'Without Call'. I will include related partial sketches to full illustrations as well as writing excerpts. I welcome and encourage feedback from readers and viewers. 

I will also be using this to self-reflect upon my explorations into relationships. For the courtesy of those I have had relationships with in the past, I have removed their names and will remove any comments that give names. I hope to learn from my past experiences in order to maintain courage to explore all experiential aspects of relationships that interest me. 

I invite others to build interrelationships with this site. Through cultivating an ever-growing network, instantly accessible world-around, I intend to find and share new ideas and hopes for the future.

'Malignancy Productions' is a title originating from my college years. Initially I wanted its biological connotations but now I hold it up with theoretical, poetic, and scientific struts. This title, like any title we give ourselves through screennames, nicknames, or self-started companies, is a naturally occurring reinvention of ourselves in relating to the world at large. Therefore I say hello to everyone visiting and welcome!